The Eurovision Song Contest has long been a platform for extravagant performances and eye-catching fashion choices, and the ongoing semi-finals for the 2025 edition have certainly not disappointed in this regard. However, the event, held in Basel, Switzerland, has been marred by host Hazel Brugger’s strikingly controversial outfit choice, which has sparked a wave of reactions across social media.

Brugger’s sequinned ensemble, described as reminiscent of early 2000s promotional CDs, quickly garnered attention, but not for its intended glamour. Viewers expressed mixed feelings, with one quipping, “Good to see someone making use of all those free AOL CDs you used to get.” Such comments reflect an unexpected distraction from the performances that should have taken centre stage. Another joked about the influence of budget online shopping, implying her dress was a product of affordable fast fashion.

While Brugger, a Swiss-American-German comedian with a background in political satire, may be accustomed to scrutiny, the level of mockery directed at her outfit is particularly notable given the wider context of the competition. The semi-final on that Thursday night featured 16 nations vying for 10 spots in the grand finale on Saturday, and performances from acts like Australia’s Go-Jo, with his quirky number “Milkshake Man,” highlighted the creative fervour the contest is known for.

As the contest progressed, it was clear that while Brugger’s outfit caught the eye, the musical talents were vying for critical attention as well. Noteworthy performances came from Latvia’s Tautumeitas and Luxembourg’s homage to French pop icon France Gall, which left a lasting impression beyond the host’s attire. Competing nations responded with increasingly powerful songs, with Finland’s Erika Vikman set to close the night with her electrifying techno track “ICH KOMME”.

The political and emotional undercurrents of this year’s Eurovision are also significant. Ukraine’s participation amid ongoing conflict has turned the stage into a platform for resilience and national pride. The Ukrainian rock band Ziferblat, whose performance of “Bird of Pray” speaks volumes about loss and hope, draws attention to the backdrop of war, serving as a poignant reminder of the struggles faced by their homeland.

With the completion of the semi-finals, the anticipation builds for the grand finale on May 17, where a total of 26 countries will compete. Among the confirmed finalists are traditional powerhouses like Austria and Greece, alongside emerging talents that reflect the diverse tapestry of Eurovision. As this year’s competition unfolds, the blend of sartorial statements and musical expressions continues to captivate an ever-watchful global audience.

Indeed, Eurovision 2025 is more than just a showcase of musical prowess; it reflects the eclectic cultures and experiences of its participants. As viewers prepare for the final showdown, attention will inevitably return to the hosts and performers, but this year serves as a potent reminder of the stories and struggles that go hand in hand with the glamour and spectacle of the event.


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Source: Noah Wire Services