When a corner of Holborn can still surprise, it is worth stepping off the tourist trail. Tucked down a quiet by‑street just off Red Lion Square is Novelty Automation, a pint‑sized arcade of hand‑built automatons that feels like a machine‑age satire come to life. According to a feature in the Mirror, visitors duck into the small unit, buy a bucket of metal coins and work their way through roughly 20 coin‑operated contraptions that are part joke, part engineering curiosity — “brilliant if not quite weird,” the piece concluded.

Play is straightforward and social: drop a few shiny coins into a chute, watch the mechanism spring into life and, in many cases, find yourself the butt of the joke. The Mirror’s account described sessions of an hour or two for most visitors and cited a bucket of 35 coins at about £28 as ample for a group of three. Other travel guides and listings suggest similar pricing and token systems, with buckets and tiered token packs intended to encourage trying a wide variety of machines rather than prolonged, high‑score play.

The machines themselves mix Victorian automata aesthetics with contemporary satire. Some are theatrical installations you sit inside — the Mirror described an “Instant Eclipse” pod that left one participant oddly reticent about what happened — while others demand simple physical input from players, such as running on the spot to power an exhausted warehouse operative in the Fulfilment Centre. Recurring favourites named in visitor reviews and listings include the chiropodist robot that massages feet, the Money Laundering coin‑climb, and the interactive “Is it Art?” booth that elevates an object to an art‑world verdict.

That satirical edge is deliberate. The arcade has become a small stage for contemporary commentary: The Guardian reported on a “Housing Ladder” machine in which players dodge caricatured buy‑to‑let landlords and developers, a tongue‑in‑cheek reflection on Britain’s housing pressures that the creator framed as social critique rather than mere pastime. Other pieces lampoon consumer culture and modern labour, and visitors frequently remark that the machines are as much cartoons in motion as they are games.

Novelty Automation is the work of Tim Hunkin — the cartoonist‑engineer who presented The Secret Life of Machines and whose earlier seaside shows married wit with workshop craft. Museum and theatre listings, and summaries of Hunkin’s projects, record that the Holborn venue opened in 2015 and draws on his long interest in marrying simple electromagnetic mechanics with occasional electronic controls. Several machines were adapted from earlier exhibitions and from Hunkin’s Under the Pier Show, reinforcing a through‑line from seaside eccentricity to central‑London curiosity.

Practical details are modest but useful: listings place the arcade close to Holborn tube and give compact opening hours, making it an easy add‑on to a central London itinerary. Independent reviews advise buying a token bucket if you plan to try many machines — several sources cite a bucket price in the high‑20s to low‑30s range, and smaller packs for one‑off plays are available — and suggest setting aside roughly an hour or two to enjoy the variety. Photographs and visitor tips on specialist sites underline that the attraction is best appreciated by groups or curious adults rather than by gamers seeking high‑score competition.

For those who have ticked off the big London sights and want something small, sharp and unmistakably British, Novelty Automation offers a concentrated dose of humour and ingenuity. It revives the penny‑arcade spirit with a contemporary, critical edge: handcrafted machines that both entertain and nudge you to laugh at the world they parody.

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Source: Noah Wire Services