Ed Sheeran made a notable return to the public eye with a surprise appearance at Radio 1’s Big Weekend, held over the weekend in Liverpool. During this event, the 34-year-old singer unveiled a new song titled “Old Phone,” which draws inspiration from his recent legal challenges surrounding his hit “Thinking Out Loud.” This song, he revealed, was conceptualised while sifting through an old phone as part of the evidentiary process during his $100 million copyright trial.

Sheeran faced serious allegations that “Thinking Out Loud” had appropriated elements from Marvin Gaye’s classic “Let’s Get It On.” However, a Manhattan jury ultimately cleared him of any wrongdoing in May 2023. The ruling came after an intense legal saga that highlighted the ongoing debates surrounding copyright in the music industry. The case had become emblematic of the precarious nature of artistic creation in an era where many creators fear being pursued over claims of plagiarism.

Recalling the emotional journey of the trial, Sheeran expressed to the Big Weekend crowd that his old phone contained conversations and memories from a decade prior, including exchanges with individuals who had passed away. “There were arguments with an ex-girlfriend, text messages, and pictures from people I haven’t seen or spoken to in ten years, and I wrote this song about it,” he shared. His performance was an emotional reclaiming of his artistic freedom, a sentiment mirrored by fans who gathered rapidly once news of his surprise act spread.

The legal battles that Sheeran faced did not end with the initial verdict. In November 2023, he successfully defended himself against an appeal from Structured Asset Sales (SAS), a company claiming ownership rights in Gaye’s music. The U.S. Court of Appeals upheld the earlier ruling, affirming that the alleged similarities between the songs were too commonplace to warrant copyright protection. This outcome underscores a growing recognition within the legal framework about the importance of fostering creativity versus protecting ownership rights.

Sheeran articulated his frustration about the implications of such lawsuits, noting that they pose a chilling effect on songwriters. He poignantly remarked, “These chords are common building blocks… and should be there for all of us to use. No one owns them or the way they are played.” His assertions resonate strongly with the current climate of copyright law, where the boundaries between inspiration and infringement often become blurred.

Meanwhile, during his performance, Sheeran treated fans to a medley of his greatest hits, including “Castle on the Hill” and “Shape of You.” As he navigated through a set filled with personal and lyrical depth, the crowd enthusiastically engaged with the newly revealed song, signalling a warm reception for his continued musical evolution. His hour-long set concluded with “Bad Habits,” leaving an audience eager for more.

Reflecting on his courtroom experiences, Sheeran mentioned the personal toll it took—a stark reality highlighted by his absence from his grandmother’s funeral in Ireland. He conveyed, “It is devastating to be accused of stealing someone else’s song when we put so much work into our livelihoods.” Such sentiments echo the broader struggles faced by many artists navigating the treacherous waters of copyright claims, illustrating the intersection of personal loss and professional scrutiny.

Ultimately, Sheeran’s recent surprise gig not only marked a return to live performance but also symbolised a major victory for creative autonomy. As potential third-party claims linger in the background, his story serves as a potent reminder of the fine line artists tread as they create, innovate, and inspire.

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Source: Noah Wire Services