Network Rail has asked planners’ permission to strip back the sea of posters and billboards that currently crowd London Liverpool Street station, proposing a radical reduction in advertising in favour of fewer, modern digital screens and more passenger information displays. According to the original report in The Independent, the operator says the changes are intended to smooth passenger flows and reveal long‑hidden station fabric, with the company framing the move as part of a wider effort to improve journeys through Britain’s busiest railway hub. A Network Rail spokesperson told The Independent: “Our aim is to improve passengers’ journeys through our station by installing additional information screens and replacing old advertising boards with modern digital displays. Should we receive planning permission, we hope these changes will make travelling through Britain’s busiest station a much smoother experience.”

Network Rail’s planning documents identify 148 advertising boards across the concourse and platforms and propose cutting that total to as few as 34. The scheme would remove some 138 static posters and replace them with 17 new digital advertising boards sited in revised locations, while a further seven static boards are earmarked for replacement under an earlier consent. The operator says a smaller number of screens — and additional departure displays at platform ends — will both deliver clearer travel information and help disperse crowds more efficiently during peak and disrupted periods.

The application stresses an asserted heritage upside to the decluttering: the removal of adverts would, Network Rail claims, reveal covered‑up walls and sightlines across the 1870s train shed, producing a “heritage benefit” by exposing original fabric. Those assertions form part of the company’s broader narrative that the works will balance operational modernisation with respect for the station’s historic character. Industry briefings and Network Rail’s own publicity describe the package as intended to “future‑proof” Liverpool Street for substantial passenger growth in the decades ahead.

The proposal is not being offered in isolation: Network Rail has pointed to recent precedent at Euston where a large commercial screen was switched off after passenger feedback and later repurposed to display live travel information. Network Rail said the Euston change — one of a number of immediate measures taken after concerns that advertising had reduced the visibility of core departures information — helped create clearer focal points for passengers and ease unsafe last‑minute movements on the concourse.

Liverpool Street’s advertising overhaul sits alongside a far larger redevelopment bid for the station. Network Rail’s planning submission and accompanying materials set out ambitions for step‑free access across the site, adding multiple new lifts and escalators, widening the concourse, new entrances to improve pedestrian flow, and other measures such as increased ticket barriers, family toilets, cycle storage and more café space. The operator has characterised the works as creating a “landmark gateway to the City” and says they are designed to improve accessibility and capacity.

But the wider redevelopment has attracted controversy. Reporting from the BBC highlights that the scheme was revised after strong public and heritage objections, including the replacement of the original architect and developer; the amended plans reduced an over‑station building and reshaped entrance and concourse proposals following a large number of consultation responses. Heritage groups and some civic commentators have been particularly vocal about impacts on the historic station and surrounding streetscape, making approval anything but a foregone conclusion.

For now, the advertising reductions and the wider redevelopment remain subject to planning decisions. Network Rail presents the package as a way to improve passenger information, accessibility and circulation while revealing historic fabric, but critics warn that such benefits must be weighed against cumulative impacts on a listed Victorian station and the surrounding conservation area. If planners grant permission, the changes to how advertising and passenger information are displayed at Liverpool Street will provide a live test of whether turning commercial real‑estate on concourses into clearer, digitally driven information hubs genuinely improves safety and the passenger experience — as Network Rail argues — or merely reshapes the station’s public face.

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Source: Noah Wire Services