The UK government has unveiled an ambitious 10-year Creative Industries Sector Plan, aimed at expanding the nation’s creative economy from £17 billion in 2023 to £31 billion by 2035. This forward-looking strategy is designed to bolster growth across various creative sectors, with a strong spotlight on the fashion industry. It combines a broad range of initiatives to help creative businesses scale, export, and build resilience while preserving their distinctive creative identities.

Central to the government’s fashion-specific commitments is the continuation of investment in the British Fashion Council’s (BFC) acclaimed NEWGEN programme. This initiative has long served as a launchpad for emerging UK designers by providing funding for London Fashion Week showcases, mentoring, and business development. The government has allocated £2 million to this programme, underlining its importance in cultivating new talent and sustaining the fashion sector’s global prominence. London Fashion Week itself will also receive dedicated government funding, affirming its role as a vital global platform for British fashion’s cultural influence and commercial strength.

A key area of focus within the plan involves addressing the vulnerabilities of complex global supply chains in the fashion industry. The Department for Business and Trade (DBT) plans to establish a new Supply Chain Centre tasked with identifying strategic supply chain risks and exploring solutions such as diversifying imports or increasing domestic capabilities to enhance sector resilience. This initiative reflects a broader recognition that fashion’s global supply lines require robust management amid ongoing international uncertainties.

Beyond fashion, the Creative Industries Sector Plan proposes a suite of supportive measures. These include significantly increased financing options via the British Business Bank, designed to expand access to debt and equity finance for creative businesses. To further stimulate innovation and growth, a new working group will tackle barriers to intellectual property (IP)-backed lending, while an enhanced UK-wide creative careers service will be launched with a £9 million investment, fostering talent development from grassroots levels.

Internationally, the government aims to boost trade and export opportunities through more targeted trade missions and market engagements. Alongside traditional markets like the EU and the US, attention will be directed toward fast-growing regions such as the Asia-Pacific. A commitment to reinforce UK IP rights with a “gold standard” enforcement framework also aims to protect the ownership rights of UK creative businesses on the world stage.

To support talent acquisition, a new Global Talent Taskforce based at Downing Street will oversee efforts to enhance international talent attraction. This includes expanding access to the Global Talent Visa, making it easier for a broader range of design professionals to work in the UK and contribute to the sector’s growth.

Laura Weir, Chief Executive Officer of the British Fashion Council, welcomed the government’s renewed focus on fashion, describing it as both culturally powerful and commercially essential. Speaking following a one-on-one meeting with the Secretary of State for Culture, Lisa Nandy, she highlighted the government’s personal commitment to supporting emerging business and creativity in fashion. Weir emphasised the importance of maintaining fashion’s prominence within the creative industries investment agenda and praised ongoing collaboration between the BFC, government bodies, and industry stakeholders to ensure the plan’s successful delivery.

This strategic plan aligns with the government’s broader Creative Industries Sector Vision, which targets adding £50 billion in Gross Value Added by 2030 and creating one million new creative jobs across the UK. It reflects a comprehensive approach to nurturing growth by investing in creative clusters, research and development, skills enhancement, and international exposure.

In parallel with government backing, the fashion sector and broader creative industries will rely on continued advocacy and engagement to shape implementation. The BFC has expressed gratitude to its members and partners whose input helped secure the prioritisation of fashion within the plan. As the government moves towards the 2026–29 business planning cycle, there remains a critical focus on ensuring transparency around financial commitments and sustaining strong sector representation.

Overall, this plan represents a significant endorsement of the UK’s creative industries, particularly fashion, as a driver of economic prosperity and global cultural influence. The combination of strategic investment, support for emerging talent, supply chain resilience measures, and international trade promotion positions the UK’s creative economy for a dynamic and sustainable future.

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Source: Noah Wire Services