The Hepworth Wakefield museum has launched an urgent fundraising campaign in collaboration with the Art Fund to secure Barbara Hepworth’s significant work, Sculpture with Colour (Oval Form) Pale Blue and Red. Acquired at auction for £3.8 million ($5.2 million) in March 2024, the sculpture has been temporarily barred from export to allow UK institutions a chance to retain it within the country. Currently, £2.9 million is still needed to meet the purchase price, following an initial contribution of £750,000 from the Art Fund and additional donations from private supporters.

Eleanor Clayton, head of collections and exhibitions at the Hepworth Wakefield, emphasised the importance of public access to this piece, noting, “If we’re successful, it would be pretty much on permanent display to the public, either in Wakefield or we would lend it to important exhibitions around the country.” The sculpture, created during World War II and crafted from painted wood and string, holds a prominent place in British modern art, embodying Hepworth’s unique perspective influenced by her surrounding environment and personal circumstances as a mother of young children.

The temporary export bar, supported by Arts Council England, is a measure intended to allow time for a UK gallery to acquire the work—an act echoed by Arts Minister Sir Chris Bryant, who expressed hope that the sculpture can remain on UK soil for future generations. Recent reports indicate that the sculpture was initially valued lower, around £3.5 million, but it successfully raised to £3.8 million at auction due to competitive bidding, illustrating the intense interest in Hepworth’s works.

This particular sculpture was notable not only for its aesthetic appeal but also for its backstory. Hepworth crafted it while residing in St. Ives, Cornwall, amidst the demands of family life, which limited her studio time. The artwork’s physical composition of wood, for which she required a special permit, and the evocative use of coloured string highlight Hepworth’s innovative approach to form and texture. Historically, the piece has been well-regarded, having been exhibited at prestigious venues such as Tate galleries.

Art Fund director Jenny Waldman reinforced the urgency of the campaign, stating, “This rare and significant sculpture should be on public display in the UK now and for generations to come.” In the current climate, she noted that many museums lack the resources to compete with escalating art market prices, which adds pressure to ensure landmark pieces like Hepworth’s remain accessible to the public.

As the deadline approaches on August 27, the concerted efforts of the Hepworth Wakefield and its patrons remain pivotal in securing this culturally significant artwork for the nation.

📌 Reference Map:

Source: Noah Wire Services